By Eric Brand

Dear readers, today has been a constant stream of border crossings, trains, visits with Hong Kong experts, and preparation for my flight back from Hong Kong to San Francisco. I will attempt to upload the next blog in the Hunan Nature series either tonight or tomorrow; the blog on our manufacturing process deserves an in-depth discussion, which is a bit hard to compose while bouncing around airports. Nonetheless, we like to keep our blog fresh with daily updates, so I’d like to offer a brief diversion to share some interesting facts about the “Bronze Man” (Tong Ren) acupuncture statue.

Most acupuncturists are familiar with the Tong Ren, a bronze acupuncture statue that was used in China’s Imperial medical school from the Song dynasty until the dawn of the modern era. However, as I mentioned in a previous blog, the image of the Tong Ren that most of us are familiar with is not what the Tong Ren initially looked like.

Follow up:

The Tong Ren image that we know today is widely seen in museums of Chinese medical history and adorns the cover of the book Chinese Acupuncture and Moxibustion. This image is a replica based on the Tong Ren of the Qing dynasty (lasting from the early to mid-1600s until 1911 CE), and it is said to have been cast based upon the body of a physical education teacher in Beijing in the 1950s. The original Tong Ren statue from the Song dynasty was created over 600 years earlier in 1027 CE, and it features a far more voluptuous form than the one that most of us are familiar with today. The dramatic differences in the portrayal of the human body reflect the more conservative body image of the Qing dynasty relative to that of the Song dynasty.

A replica of the original Song dynasty image is pictured above. I took this photograph at the museum of Chinese medical history at Hong Kong Baptist University, which is one of the few places in the world where a replica of the original is displayed. Notice the different proportions and the more curved, sensual features of the Song original relative to the rather stoic and square Qing dynasty statue.

The Song dynasty original is called the “Tiansheng” bronze statue. It is thus named because the two original statues were created by a government medical officer named Wang Wei-Yi in the 5th year of “Tiansheng” during the Northern Song dynastic period (1027 CE). 657 acupuncture points were carved into each statue, and the statues served as the first national standard for acupuncture point location.

The concept was ingenious; each point had a hole about 1.2 cm deep, and the statue was covered in wax and filled with water. For instruction and examinations, points were located and the statue was needled. If the location was correct, the needle penetrated the wax and allowed water to leak out. The Tong Ren was thus one of the most sophisticated educational tools in early medical history.

By the time of the Ming dynasty (starting in 1368 CE), the acupuncture points were no longer recognizable on the original Song dynasty statues. According to the museum at HKBU, Emperor Ying of the Ming dynasty ordered the creation of a replica of the Song dynasty statue, which some scholars believe is now located in Russia.

Maybe I am just a nerd, but I find these historical tidbits fascinating and I can’t help but share this information with our readers.

Check back with us soon, as we will return to our core topic of Hunan Nature and the creation of Blue Poppy’s fantastic new product line as soon as my airline travel is complete.